The recent death of Robert D. Heckman (Nov. 29) marks the final footnote in the life of one devoted to the preservation of fine music in Tulsa and a cautionary tale to all who would control the destinies of arts organizations in our postmodern environment.

Although not a founder of Concertime (now known as Chamber Music Tulsa), Bob quickly became a moving force in the organization after its inception in 1954, and for 30 years served as its executive director, generally in an unpaid, voluntary capacity: Managing capably from his kitchen table, Bob astutely selected performers, shrewdly negotiated contracts, oversaw ticket sales, and kept the books. His enlightened stewardship, inherent conservatism, discerning musical judgment and unwavering devotion to the exquisite beauty of chamber music were largely responsible for the survival and steady growth of the organization, which is currently presenting its 51st concert season at the Performing Arts Center.

Even after advancing age prevented him from taking a more active role, Bob could always be seen in his accustomed seat in the John Williams Theater, casting a discerning and sometimes critical eye and ear towards the subsequent musical offerings of his beloved organization.

Bob's commitment not only to the artistic, but also the organizational and fiscal aspects of presenting classical music and the long-term success that it engendered is a lesson which has not been lost on the succeeding leadership of Chamber Music Tulsa and is worthy of study by all who value the continuing place of the arts in the cultural life of our city.

George W. Schnetzer III, of Tulsa